Re: [分享] BC、一美、Hugh Dancy等人分享演戲心訣

看板UK_Actors作者tfdlclub (宮嶙流)時間10年前 (2014/07/16 21:01)推噓3(3推 0噓 1→)

留言4則, 4人參與討論串2/2 (看更多)

因為我也很喜歡James McAvoy跟Hugh Dancy就獻醜了不過只有聽寫>///< 翻譯要中文很好，我沒自信…期待好心人幫忙！對了，一美講話沒啥文法可言(或是我聽錯了，蘇格蘭腔令人崩潰XDD) 如果看到怪怪的句子應該很大一部分不是我的問題(喂) 因為影片裡每個演員的採訪都被截成一段一段的，所以我也用段落分開不同時間點的影片歡迎抓蟲~ Hugh Dancy I suppose what I am looking for is to be intrigued in some way. Maybe have a question raised that isn’t immediately answered for me. It’s not often necessarily the case that you realize as you’re reading something. It might be of the following few days. You know, it’s percolating. You know I’m pretty much open to anything from the three months in my ________(此字沒聽出來) experience….[…] So just jumping in if the person in control has a kind of full vision of what they’re trying to do. In terms of the relationship between the actor and the director, I think that the really good ones somehow find their way to communicate wordlessly. They support for what you’re doing and not in a precious way (不確定)… um… They ’re just glad you’re there. You know. […] They kind of alleviate when the anxiety might have by the things they don’t choose to say, and enable you to cast one thing off and try another. Do you be take(←Hugh口誤)…what comes your way and that for me that kind of adjusting myself to what I didn’t think I could do was probably the best learning experience I have including anything I’ve done in the last ten years. James McAvoy I really will to narrative. (←本句無文法，大膽猜測他想說 I really will do the narrative.) It’s really important I think. Because, often times, when you are standing behind a film set, rehearsing. It’s not really rehearsing. [What] you do is devising because everybody’s gonna “What is this scene… What are we doing?” And it’s because the narrative is sort of forgotten for a little while sometimes… It seems to be a lot of thoughts you have when just reading the script. You not just learn the lines. But when you are reading script again again and again, every time you read it you get new ideas and you write them down in the script. So along with the words you made to be learning, you also kind of remembering learning these notes in the script and all these ideas. I see difficult thing for directors I think often times for directors …They’ ve got vastly less experience of making films. (聽不清楚，一美邊講邊動來動去，都是他外套的聲音= =) There all technicians and actors around them. You know. A director might make ten films …in fifteen years…and twenty years… whereas all the people are working with him might make fifty in that time. You know. Your makings are very vulnerable to criticism, to commonation(此字沒聽懂), to personal slander. It’s not many other walks of life where you are criticized so personally. You heard about “I hate that actor.” Get said, “Oh I hate that actor!” Strong ones. Some people are great actors but it can’t …they would the lifestyle. ‘ Cause you can’t be in judge. (此句聽10遍也沒聽懂，已崩潰)There are so much suggestion even for people who work regularly…[…] Drama schools are great idea. I really do believe that. Theater goes for fantastic idea. It’s two or three years where you get to be in an environment that is safe. You vulnerability is protected. Nowhere than the professional world will you manage to get twenty gacks(此字沒聽懂) and three years playing… you know, all these different characters. You’re kind of there to feel. -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 111.250.84.45 ※ 文章網址: http://www.ptt.cc/bbs/UK_Actors/M.1405515703.A.0F5.html