[閒聊] 鐵媽媽擔任2012倫敦奧運開場.......甘五摳寧?
英國的衛報裡的一個音樂部落格談到2012年奧運應該找鐵媽媽來開場。
理由當然是北京奧運閉幕華麗聲光效果之後,英國絕對不能丟臉。而且鐵媽媽是倫敦在地
人,專輯全球銷售七千五百萬張,在flgith 666影片裡巡迴更證明鐵媽媽席捲全球的能力
雖然說是這樣說...保守的英國人很可能派出搖滾老將如齊柏林、披頭四、Pink Floyd...
來應戰,畢竟鐵媽媽雖然能全球演唱會熱賣,英國人不見得每個人都以鐵媽為榮啊...
有興趣的可以去看一下,純喊爽的機率高~
http://www.guardian.co.uk/music/musicblog/2010/mar/25/iron-maiden-olympics
Why we need Iron Maiden for the Olympics
Britain's record at soundtracking sporting events is woeful. So who better to
reclaim some glory in front of a global audience than east London's
heavy-metal overlords?
After tackling such unedifying questions as whether a sausage roll can get
more fans than an X Factor judge and if Jon Venables should be executed,
Facebook users this week threw their collective weight behind getting Iron
Maiden to open the 2012 Olympics. The race is on to amass one million
supporters and convince organisers that when the curtain goes up, the
assembled ranks of athletes, fans and dignitaries should be deafened by the
overlords of British heavy metal.
Britain's record at soundtracking sporting events is woeful. The 2002
Commonwealth Games in Manchester ended with – for reasons apparent to
absolutely nobody – a Jimmy Cliff and Dave Stewart duet. M People's Heather
Small wandered onstage at one point. And when future historians identify when
the western world was left in the dust by China, they will look at the end of
the 2008 Olympics, when China's jaw-dropping, CGI-enhanced performance was
followed by the UK. A rickety, balsa wood bus trundled on, then fell apart
like a cheap circus prop. Leona Lewis emerged from the roof to sing Whole
Lotta Love while Jimmy Page wobbled around on a hydraulic lift, each of them
pretending to have a clue who the other was. It couldn't have been a more
poignant metaphor for post-imperial decline if they'd had an old woman
dressed as Britannia, ravaged by Alzheimer's and mumbling her way through TS
Eliot's The Waste Land ("My people humble people who expect/Nothing").
The 2012 Olympics is Britain's chance to reclaim some glory in front of a
global audience. Iron Maiden have a greater international reach than any
other British band, having spent their career touring Japan, the former
Eastern Bloc, South America and, more recently, India and the Middle East,
selling 75m albums in the process. Their sporting track record is also
proven: a career-long devotion to West Ham (check Steve Harris's
claret-and-blue guitar strap and sweatbands); footballing skills displayed in
the Holy Smoke video; Bruce Dickinson's fencing prowess; and their soundtrack
to the timeless Daley Thompson Lucozade TV ad. As native east Londoners,
they're also an obvious choice.
Maiden's thunderous, militaristic bombast is exactly what a spectacle of this
kind requires. Without Maiden, it's JLS pulling their shirts up while Clare
Balding dances with Mr Blobby. If Maiden open the Olympics, the whole world
will be united under a ragged Union Jack and Britain's international
reputation will be restored. All this while a giant zombie mascot shoots
flames out of his eyes and lurches towards a terrified Sebastian Coe, who
cries like a girl. Come on, let's make it happen.
--
I don't need to worry 'bout tomorrow
Ain't anticipating what's to come
And I don't need to worry 'bout the things I have not done
Long as I got rock and roll I'm forever young
Long as I got rock and roll I'm forever young
--
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