[樂評] 〈1+1〉獲Pitchfork好評
〈1+1〉被樂評網站Pitchfork選為Best New Tracks之一。
Pitchfork認為〈1+1〉是首聰明的當代版〈Wonderful World〉(Sam Cooke)。
原來〈1+1〉的歌詞靈感來自於〈Wonderful World〉,
也有歌詞是借自這首歌(don't know much about algebra)。
然而〈1+1〉是以死亡、戰爭、末日等不同的角度,
來闡述〈Wonderful World〉中所描繪的愛情,
深情而堅定。
Sam Cooke - Wonderful World
http://v.youku.com/v_show/id_XMjY5Njg2NjAw.html
Pitchfork也認為這首〈1+1〉是在向Prince致敬,
編曲以及歌曲的詮釋方式都很有Prince的味道(尤其是〈Purple Rain〉)。
Pitchfork讚賞〈1+1〉的電吉他編曲,
認為最後那一段:
At that precise moment, this passionate pastiche of timeless pop becomes a
classic all its own.
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Pitchfork names "1+1" to their Best New Tracks list.
Among other things, Beyoncé's "1+1" is a clever, of-the-moment update on Sam
Cooke's "Wonderful World". Writer/producers Tricky Stewart and The-Dream
retain the 1960 hit's "don't know much about algebra" line, but they scoop up
that love song sentiment and plop it down into the perilous world of 2011.
Cooke told his girl, "I know that if you love me too/ What a wonderful world
this could be," while Beyoncé, referencing death, war, and maybe even a
pending apocalypse, knows that the world is chaos, and just hopes that love
can still do what Sam Cooke promised. "Make love to me," she implores, mixing
vulnerability and confidence, and then she even explains why you should:
"When the world's at war/ That our love will heal us all."
But this Sam Cooke update is also a Prince homage. Specifically "Purple Rain"
thanks to those delicate guitars, melodramatic piano, and Beyoncé affecting
the Purple One's high-register whimper a few times. But what could have been
just a musical exercise for Stewart and The-Dream ("I don't know about guns/
But I've been shot by you" is a Prince-like head scratcher for sure) becomes
something so much more for Beyoncé. So she really digs in and sells the
song's knotty qualities, and when that over-the-top guitar break appears
exactly when it should, it's cathartic. At that precise moment, this
passionate pastiche of timeless pop becomes a classic all its own.
[from the album 4, out June 28 on Sony]
— Brandon Soderberg, May 31, 2011
http://pitchfork.com/reviews/tracks/12212-11/
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