[轉錄][分享] 巴黎小情歌男主角 Louis Garrel消失

看板YoungArtist (新生代演員)作者Architect時間15年前 (2008/12/09 01:20)推噓2(2推 0噓 4→)

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作者: kisswatch (a winning streak) 標題: [分享] 巴黎小情歌男主角 Louis Garrel 時間: Mon Dec 8 10:11:59 2008 Louis Garrel：法國最閃亮的一顆新星圖文版 http://www.wretch.cc/blog/kisswatch/11583960 24歲的路易加瑞爾坐在巴黎左岸一處咖啡屋裡，一舉一動活像一個從他電影裡走出來的角色：身材高挺，五官俊俏而透些陰柔，臉色有點蒼白，雙眼烏亮，時而微笑，時而深思，神情純真而帶幾分憂鬱。他是法國新一代當紅性感男星。在法國，或許在海外，少女、熟女、少男都迷他，所謂「男女老少通吃」，銀幕上則和自己的母親 (「母親，愛情的限度」)、自己的妹妹 (「巴黎初體驗」)大搞不倫。他直言「我是性對象」。他每一部片子都和性有關，經常光著身子，愛看男色和女色的粉絲大喊過癮，但他最特別的不是性動作，而是以抒情戲風創造出來的那股情慾或情色氣氛。新作「巴黎小情歌」，他演一個小生陷入女友和朋友的三人行困境裡，尺度在他作品中算是最保守的，但片中兩男互訴衷曲的四、五分鐘床戲，也夠嗆的。說到「曲」字，本片諸角都用歌聲表達心情，讓你眼觀秀色，耳聽美聲，頗為特別。路易加瑞爾母親是美女明星，父親是名導演菲力普 (2006年金馬影展主題人物)，爺爺是名演員，教父是經常在楚浮作品裡擔綱的名角尚皮耶李奧，經過先天後天加持，他不成戲胚子也難。他2006年以三小時的黑白片「安那其戀人」獲得法國凱撒影展最佳新進男星獎，實力可見。由於內容特殊，他的片子在台灣大多只能在金馬影展露面，他在「巴黎初體驗」 (2005)和雙胞胎妹妹曖昧，在「母親，愛情的限度」 (2004)裡由影后伊莎貝爾雨蓓調教引領，展開性旅，都令人瞠目。2006年的「花都圓舞曲」維持一貫的法式性尺度。他說：「我希望攝影機成為一種偷窺狂。」希臘神話般的俊貌，使他成為時裝攝影機和粉絲網站的最愛，但他對商業電影興趣缺缺，最近為老爸一部新片擔綱，還著手自拍短片。看來，他清楚自己的色相是好賣點，但他似乎不甘只賣這一點。【2008/04/04 聯合晚報】 DURING his brief but eye-catching career, the 24-year-old actor Louis Garrel has been cast as a love interest for young girls, older women and teenage boys, not to mention his own onscreen mother (“Ma Mere”) and sister (“The Dreamers”). “I’m a sexual object,” the tall, pale, dark-eyed Mr. Garrel said with a smile, taking a drag on his fifth Marlboro at a cafe in Saint-Germain-des-Pres. “It’s true that for me there’s something very sexual about the cinema. Not in the sense of the act, but of creating desire.” In his new film, “Love Songs,” directed by Christophe Honore, Mr. Garrel plays Ismael, caught in a menage a trois with his girlfriend (Ludivine Sagnier) and colleague (Clotilde Hesme) as well as being the obsession of an ardent male student (Gregoire Leprince-Ringuet). His third film with Mr. Honore, “Love Songs” is a modern musical about love and loss in which the characters break into song to express their emotions. Nominated for a Palme d’Or at last year’s Cannes Film Festival, it opens Friday in New York. Mr. Garrel is the youngest member of an esteemed French cinema clan that includes his grandfather, the actor Maurice Garrel, and his father, the director Philippe Garrel (who cast him as a 5-year-old in the 1989 film “Emergency Kisses”). His mother is the actress Brigitte Sy, and the actor Jean-Pierre Leaud is his godfather. Despite his brief foray into child acting, Mr. Garrel said he didn’t decide to become an actor until he was 15, inspired by Francois Truffaut’s landmark films about the adolescent Antoine Doinel, played by Mr. Leaud. “I wanted to have a life that resembled his,” he said of Doinel. “Leaud didn’t obey any laws of acting. He sends signs that are recognizable but that we’ve never seen. And that’s what I think it means to be an actor.” His first film role followed in Rodolphe Marconi’s “Ceci est mon corps” (“This Is My Body,” 2001) and he studied drama in Paris. But his recent work with Mr. Honore has earned him a reputation as something of a 21st-century Doinel. “A lot of directors have a moment when they believe in an actor and that actor could be the character in all of their films,” said Mr. Honore, who first cast him as the son of an incestuous mother (Isabelle Huppert) in his 2004 film “Ma Mere.” “It was a dark role,” Mr. Honore said. “Off-camera he was lighter and more joyful, but with a certain melancholy, and I wanted to offer him something that would better correspond to his personality.” A gentler turn in “Dans Paris” followed in 2006, with “Love Songs” last year. “He has a very lyrical way of playing a role, like a character in a novel,” Mr. Honore said, referring not just to his appealing singing style, demonstrated in “Love Songs.” “He seems to have escaped somehow from the 1960s but is totally of his time.” Mr. Honore is now editing their fourth collaboration, “La Belle Personne.” “Even in the editing room, I’m surprised by what he does,” Mr. Honore said. “I have the impression that my films resemble me more and more because of Louis.” Onscreen, Mr. Garrel bites his nails and smokes, charms and broods. On a gray afternoon in a Left Bank cafe, he seemed to have stepped straight off the screen. “It’s true I have a hard time with the notion of creating a character,” Mr. Garrel said. “And I feel it’s a limit. I’m always really impressed by actors who are able to construct a character, like Johnny Depp. Then again, an actor who gives a big performance, it’s always a little embarrassing, because he’s there saying, ‘Look at my performance.’ And that bothers me a lot.” Playing Ismael, Mr. Garrel said, he had in mind Yves Montand, as a man who befriends his rival for the same woman’s heart, in Claude Sautet’s 1972 film, “Cesar et Rosalie.” “I’m crazy about Yves Montand,” he said. “You want to live like he does in the film, to be his friend. He has a certain rhythm — he’s always trying to cheer people up, to carry them along — and I thought Ismael should be like that.” While shooting “Love Songs,” Mr. Garrel said, he did his best to forge real relationships with fellow cast members. “That’s how mystery is created,” he said. “I want the camera to be a bit like a voyeur. I like to say to myself that the film is a residue of a larger life.” Ms. Sagnier, his “Love Songs” co-star, said: “Louis really likes to share his energy. That’s very rare for an actor. The only bad part is that he also shares his anguish.” Mr. Honore agreed that Mr. Garrel is “very inventive and spontaneous on set.” “But he’s also very much an intellectual who wants to master everything.” he added. “It’s hard for him that he’s not the one choosing the takes. He often calls me up late at night full of anguish, but after the fact.” Said Mr. Garrel: “I hope each day to have done 10 seconds of good work that they can use in the film. And I’m always afraid I didn’t get those 10 seconds.” He finds it painful to wait while a film is finished without him. But he’s not one of those actors who refuses to see the final product. “ ‘Love Songs’ is a very tender film,” he said. “I wasn’t watching myself and my faults. And that’s my goal. I want to take pleasure in watching the film.” Mr. Garrel won the French Cesar for most promising male newcomer in 2006 for his role in “Regular Lovers,” his father’s film set during the May 1968 student protests in Paris, and has a taste for the ever more rarefied French cinema d’auteur. It was the second time he’d participated in a movie about May 1968, after Bernardo Bertolucci’s “Dreamers,” his best-known film. His striking looks are also the stuff of fashion shoots and fan sites, and he routinely turns down work in more commercial films. “I like to be able to understand the feeling of the director,” he said, “that a film corresponds to something in his life. Otherwise, it doesn’t interest me much.” Mr. Garrel has recently completed a second film with his father, “La Frontiere de l’Aube,” and is working on his own short film about a young man who feels that time is passing too quickly. “I don’t know how long I’ll live,” he said when asked what his own future may hold. “But I’d like to make communist films with Ken Loach, libertine films with Almodovar, esoteric films with Kaurismaki. That’s not bad for a start.” -- ※ 發信站: 批踢踢實業坊(ptt.cc)