U.S. Charts 02/09/2002

看板Madonna作者simonce (變態少男)時間23年前 (2002/02/17 21:18)推噓0(0推 0噓 0→)

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GHV2 (Platinum) --------------- | TW LW WO PK(#) | -----------------------------|----------------------------| Billboard 200 | 72 49 11 7 | -----------------------------|----------------------------| Drowned World Tour 2001 (DVD/VHS) --------------------------------- | TW LW WO PK(#) | -----------------------------|----------------------------| Top Music Video | 15 17 11 1 | -----------------------------|----------------------------| "GHV2" scans 17,780 copies, a moderate 14% drop from last week. The tour video sells around 2,000 copies. Madonna Megamix (Promo) ----------------------- | TW LW WO PK(#) | -----------------------------|----------------------------| Hot Dance/Club Play | 5 9 7 5 | -----------------------------|----------------------------| Now unbulleted, the megamix has most likely seen its peak. Although it did not extend Madonna's hot streak of Club Play #1s, a top five peak is perfectly respectable for such an unusual entry, and a further proof of Madonna's legacy on the dance floor. And now that the single has peaked, I am finally remembering to update the "peak" column! "Megamix" is, quite appropriately, Madonna's 40th entry on Club Play in less than 20 years. All but three reached #6 or higher, the exceptions being "Who's That Girl" #44, "Love Don't Live Here Anymore" #16, and the import-only "Sky Fits Heaven" #41. 27 of the 40 (a ratio of 67.5%) went all the way to #1. Remarkably, the last nine of those 27 occurred in just the past four years, during which time *ALL* of her studio singles that were officially promoted to clubs shot to the top. Also in its seventh week, Kylie Minogue's "Can't Get You Out Of My Head" climbs to #1. Kylie has only had three Club Play entries before, and the highest-peaking was 1988's "The Loco-Motion" which stopped at #10. What It Feels Like For A Girl (D)(M)(T)<> ------------------------------------------ | TW LW WO PK(#) | -----------------------------|----------------------------| Hot Dance/Maxi-Singles Sales | 11 9 40 1 | -----------------------------|----------------------------| Don't Tell Me (C)(M)(T)(V)(X)<> (Gold) -------------------------------------- | TW LW WO PK(#) | -----------------------------|----------------------------| Hot 100 Singles Sales | 51* 59 43 1 | Hot Dance/Maxi-Singles Sales | 15* 19 44 1(5) | -----------------------------|----------------------------| Music (Single) (C)(D)(T)(V)(M)(X)<> (Platinum) ----------------------------------------------- | TW LW WO PK(#) | -----------------------------|----------------------------| Hot Dance/Maxi-Singles Sales | 13* 15 76 1(11)| -----------------------------|----------------------------| The Immaculate Collection (Diamond) ----------------------------------- | TW LW WO PK | -----------------------------|---------------------------| Top Pop Catalog Albums | 19 15 354 8 | -----------------------------|---------------------------| The past five weeks constitute the longest stretch "Immaculate" has ever spent in the catalog top 20. The album spent two back-to-back weeks in the top 20 soon after it debuted on this chart in 1995, and registered three straight weeks in that range around the time of the HBO concert last August. Then there were four instances - the releases of her last three albums and her 40th birthday - where the album enjoyed one-week stints in the top 20. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Maverick Records ---------------- Michelle Branch's album boasts another 40% sales gain - to just over 14,000 - and leaps #127->#93* on the Billboard 200. The album initially spent 14 consecutive weeks in the top 100. "All You Wanted" is #22* on Adult Top 40 and debuts at #33* on Top 40 Tracks. It now headlines the Hot 100 Bubbling Under chart in its second week there, ahead of Britney Spears's "I'm Not A Girl, Not Yet A Woman" (#2 in its third week) and Cher's "This Is A Song For The Lonely" (#3 in its second week). Natalie Imbruglia's "Wrong Impression" debuts on Bubbling Under at #10. Alanis's "Hands Clean" jumps 16 spots to #49* on the Hot 100. The song's airplay is concentrated in Top 40 (#22* on Top 40 Tracks), especially the Adult Top 40 format (where it is #10* after three weeks). Tantric's album climbs to #146 (unbulleted) after re-entering the Billboard 200 four weeks ago. "Mourning" moves #22->#25 on both Modern Rock (bulleted) and Mainstream Rock (unbulleted). The band is currently on tour with Creed. Hot 100 ------- Usher's "U Got It Bad" logs a fifth non-consecutive week at #1. The last five #1 hits ("Fallin'," "I'm Real," "Family Affair," "U Got It Bad" and "How You Remind Me") all spent at least four weeks at the top. The last time this happened was in the first half of 1999, with "Angel Of Mine," "Believe," "No Scrubs," "Livin' La Vida Loca" and "If You Had My Love." Usher's "U Don't Have To Call" debuts at #65. He is perhaps the first artist to have three back-to-back Hot 100 hits that start with the same word - a word that is also the initial letter of his name, nonetheless. Usher has had three Hot 100 #1s that gave him a combined 11 weeks (and counting) at the top. That is more than any other artist whose moniker is a profession. The Police had eight weeks with their lone #1, "Every Breath You Take," and Carpenters accumulated seven weeks with three trips to the highest podium. Moving #7->#5*, Linkin Park's "In The End" joins Nickelback's "How You Remind Me" (#2) and Creed's "My Sacrifice" (#4*) in the top five. All three were top three hits on both Modern Rock and Mainstream Rock. The last time the top five included three rock songs - defined as tracks that charted on both Modern Rock and Mainstream Rock - was the week of 10/21/1989. Yes, you read that right, 1989. And the three songs were: The Cure's "Love Song," Tears For Fears' "Sowing The Seeds Of Love," and the Rolling Stones' "Mixed Emotions." The top portion of the Hot 100 appears fairly static, but several new hot tracks are already knocking on the door. "Ain't It Funny" by J.Lo featuring J.Ru is the Greatest Gainer/Airplay at #10* in its 7th week. Hot on its heels we have Brandy's "What About Us," last week's Greatest Gainer/Airplay and now #13* after only three weeks. "Funny" has strong airplay from both Top 40 (#12) and R&B/Hip-Hop (#11), while "Us" is hot at R&B/Hip-Hop (#5) but lagging at Top 40 (#27). Kylie Minogue's "Can't Get You Out Of My Head," also in its third week, is #33*, based mostly on Top 40 airplay (where it is #14). LeAnn Rimes's "Can't Fight The Moonlight" has finally become a bona fide hit one-and-half years after it first charted. Thanks to growing airplay (#30*) and resurging sales (#4*), it jumps #30->#19* in its 30th chart week. Twenty of those weeks were back in 2000. Billboard 200 ------------- Alan Jackson's "Drive" remains in lead with sales of 230,000, a 45.6% drop-off from its debut. Jackson is the sixth country artist to have an album open at #1. Garth Brooks did it first in 1991; LeAnn Rimes was the second in 1997. Tim McGraw, Dixie Chicks and Faith Hill all joined the list in 1999. Nine Inch Nails has the two highest-debuting albums of the week. Or is that one album? The 2-CD Deluxe Edition of "And All That Could Have Been (Live)" is #26 with over 33,000 sold, and the 1-CD version is #37 with 28,000 sold. If combined, the album would have entered at #12. The bonus CD in the deluxe edition, a collection of remixes and new tracks, is also sold separately (titled "Still") and exclusively at NIN's website. 5,000 cyber-transactions make it the undisputed champion on Top Internet Albums, compared to 2,000 for "Drive." The 2-CD deluxe edition enters Top Internet Albums at #15. Don't be confused, please. 57th week on the chart, with four platinum certificates under its belt. Don't dare to think "O Brother, Where Art Thou?" would die off so soon! After matching its previous peak of #11 last week, the Grammy-nominated album finally nudges up into the elite circle known as the top 10. After performing on Saturday Night Live, the Strokes registers a 60% sales increase and leaps from their previous peak of #63 all the way to #33*. Another big jumper, the "Moulin Rouge" soundtrack, is probably the result of the film's Golden Globe wins. The Greatest Gainer, meanwhile, is the soundtrack to the Mandy Moore vehicle "A Walk To Remember," which rockets #181->#56*. Mandy's eponymous album also re-enters at #186. -------------------------------------------- A "*" (bullet) beside a chart position marks that a single or album registered a notable gain in sales or airplay or chart points. Debut titles automatically carry bullets. Video charts and Top Internet Album Sales do not award bullets. (C): CD Single, (D): DVD Single, (M): Maxi CD, (T): 12" Maxi Vinyl, (V): 7" Vinyl, (X): Cassette Single, (Z): Maxi Cassette, <>: Videoclip http://www.eecs.harvard.edu/~zhwang/Madonna/chart/BBGHV2_2.html#Feb9 -- Hey MS.Madonna Put a record on I wanna dance with my baby When the music starts I never wanna stop It’s gonna drive me crazy -- ※ 發信站: 批踢踢實業坊(ptt.cc) ◆ From: 210.201.1.3