[NIN ] [舊聞] Year Zero on HBO
http://latimesblogs.latimes.com/herocomplex/2008/08/trent-reznor.html
Trent Reznor's 'Year Zero' may be an HBO series
06:11 AM PT, Aug 8 2008
Trent Reznor of Nine Inch Nails has been in talks in with HBO about making a
two-season maxi-series out of "Year Zero," the dark future tale that Reznor
has chronicled in his music as well as in a celebrated Alternate Reality Game
(ARG) with the same title that was created by 42 Entertainment.
"It's the most exciting thing on the horizon, it's the thing that when I wake
up in the morning it makes me say, 'God it would be cool if that happened,"
Reznor told me this week while sitting backstage before a Nails concert in
Toronto. "This is my grand ambition. Will it happen? I don't know. It was fun
sitting and telling [the HBO] guys and watching them shake their head and
having writers on board and producers that are in to it. It's been a fun
thing."
"Year Zero" began (as so many things do in the music of NIN) from a place of
negative emotion and sonic experimentation. Reznor was increasingly outraged
by the geopolitical situation during the Bush years and he wanted to channel
that fury into music, but he was loath to drift into the limiting lexicon of
protest lyrics.
"How could I express what I was feeling in a way that didn't sound like
bitching about George Bush? I mean, you know, I love Neil Young but I didn't
want to listen to that record, really," he said, referring to the
singer-songwriter's "Living with War." "My reaction to that kind of record
is, 'We know this. It's obvious.'"
"So it started with me trying to write it as a piece of fiction. I was
thinking, 'It could be the worst idea ever in the world but, if it doesn't
work, it doesn't have to come out.' I started by writing a kind of world
bible about what life would be like around 15 or 20 years from now if things
continue on the same path. I spent a few weeks filling it in with the events
that could lead to this kind of time and place. Then as an experiment I
started writing songs about people in this place and from different points of
view."
The problem was the music was compelling and powerful, but it was more about
sensation than story.
"I had a record that would make sense to me but no one else would ever know
what it was because there was no narrative. It's modular, its a collection of
snapshots. These were glimpses of a place. Maybe with liner notes I could
communicate some of it, but how do you get liner notes in 2007?"
He considered a graphic novel. "That was the route we were going to go with
initially. We talked to a different companies about releasing it. But it
didn't feel quite right. We thought about a film, but that has a different
timetable and too many people need to say yes. That wouldn't line up right.
then I started thinking about how I could make it really interactive,
something you experience rather than something you read."
Reznor remembered reading about 42 Entertainment and their deeply layered ARG
for the Steven Spielberg film "A.I." He met with them and the result was a
truly amazing through-the-looking-glass creation on-line, shaped by the 42
team working closely with the rock star and his art director, Rob Sheridan.
"It's ahrd to explain it," Reznor said, and he's right. But the best way to
get your head around it is through the nifty (and entertaining) case-study
presentation that you can find here.
Reznor was delighted with the result. "It was probably the most fun thing
I've done." Now he wants to finish the story he started and do it across a
range of media.
"I just pitched it to HBO two weeks ago in L.A. It went great. Ideally, we're
trying to get them to do a two-year limited series. I prefer that over a
film. We would have a second ARG tying into the second album and ties into
the series and they all happen together with a budget needed to pull that all
off. There would be a tour down the road. The record completes the story, the
ending that no one knows. I know what happens. I knew when I started it. And
it's not what people think. "
-- Geoff Boucher
Photo of Trent Reznor by Myung J. Chun\Los Angeles Times
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