[樂評] Wonderland
好啦好啦 po一篇比較中肯的上來吧
而且文筆也很好 我們一起聽未來學英文啦 *0*
http://www.yesasia.com/us/1005176355-0-0-0-en/info.html
(那篇中文樂評好像甚麼都沒有寫過一樣 不po了 自己進去看吧)
by Kevin Ma @ Yesasia January 22, 2008
Releasing two of the best albums to come out of Hong Kong in recent years,
Khalil Fong is sometimes compared to other contemporary Chinese-language
R&B-pop artists such as David Tao and Leehom Wang. The comparisons are
somewhat valid - they all sing in Mandarin, and they have unique abilities to
blend modern pop music with R&B influences. However, for his third album,
Wonderland, and his first release aimed for outside Hong Kong, Khalil lives up
to his nickname "Soulboy" by leaving the pop influences at home and wearing
R&B on his sleeves. For this full-blown soul-R&B album, Khalil draws from soul
artists like Marvin Gaye, Curtis Mayfield, Al Green, a bit of 80s R&B pop, and
even a bit of Michael Jackson for good measure. The result is a less
commercially satisfying album because of its lack of "catchy" ballads, but it's
already a frontrunner for one of the best albums of 2008.
While Khalil tried to incorporate other genres into his previous albums, he
makes a brave decision to commit to a common tone for the whole album this time
. As a result, it may be harder to differentiate some of the tracks on first
listen. For example, "Is It Enough" (Track 2), "Warmth" (Track 3), and "Love
Is Here" (track 4) seem to share similar rhythms and arrangements. However,
further listens begin to reveal differences in each song, most particularly in
the melody. While they do share a similar sound (mainly because of the genre),
they all work to give a consistently fluid tone to the album.
Perhaps I was somewhat mistaken when I mentioned that Wonderland lacks catchy
ballads. It actually starts with "Love Song" (Track 1), a smooth R&B ballad
that celebrates the simplicity of a good love song. Written with a message
rather than a story in mind (the Khalil-penned lyrics declare itself to be a
song that is "not complicated and not hard to sing"), Love Song is a soulful
ballad that affects with simple composition and the usual smooth delivery by
Khalil. The track not only qualifies as a worthy opening track, but is also
poised to be Khalil's most popular song since "Love Love Love" from his
previous album. Closing track Sorry (Track 10), penned by David Tao's usual
lyricist WaWa, is also a solid ballad, incorporating 80s R&B influence while
also infusing Khalil's own vocal style as well, making for a strong track that
will most likely become a radio plug.
The best section of the album is when the pace starts the pick up, as the
musical tone begins to turn closer to funk. With a bouncy and engaging
arrangement, "Park" (Track 5) sees Khalil channeling the vocals of Curtis
Mayfield with a track that emphasizes feeling and rhythm more than composition.
The following track, "Simplicity is the Most Romantic" (Track 6), is a perfect
companion, incorporating rap into the mix without bringing it too close to hip-
hop (despite the lyrics being written by Hong Kong rap group Fama). Matched
with "10, 9, 8, 7..." (Track 7) to slow the tone down,this middle section gives
the album a perfect pacing pick-up while sticking close to its overall tone. As
a bonus, there's even a masterful interlude at the end of "10, 9, 8, 7..." that
wraps up the section with just the right tone.
However, the album does get a little shaky when it tries to deviate from its
genre with titular track Wonderland (Track 8), again written by Fama. The use
of electronica deviates too much from the other tracks in terms of tone and
rhythm. While the chorus brings the song closer to the tone of the album,
Wonderland sounds like it belongs either at the end of the album or in another
album altogether. Thankfully, the album gets back on solid ground with the pure
R&B track "I've Forgotten Beauty" (Track 9), which stays close to Western R&B
in both its abstractly composed melody and the bass and piano-driven
arrangement.
Personally, my biggest gratitude to Wonderland is that it doesn't try to make
an R&B album that caters to the Chinese market by including a track that
features the contrived mix of Chinese traditional instrument and R&B aesthetics
. Instead, Wonderland is an R&B album that happens to be sung in the Chinese
language. While some may criticize the album as a flattering imitation of his
favorite artists, I prefer to call this album a respectful homage. Yes, it does
feature a lot of familiar influences, but Khalil always includes them while
also injecting his own style of composition and delivery. With Wonderland,
Khalil has pulled away from the rest of the pack to prove that he's one of the
best soul artists Chinese music has to offer.
Recommended Tracks: Love Song (Track 1), "Is It Enough" (Track 2), "Park"
(Track 5), "Simplicity is the Most Romantic" (Track 6), "10, 9, 8, 7..."
(Track 7), Sorry (Track 10)
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