[情報] Helloween新專輯
as title....
https://blabbermouth.net/news/helloween-is-working-on-material-for-next
-studio-album
In a new interview with Canada's The Metal Voice, HELLOWEEN singer Michael
Kiske was asked if he and his bandmates have commenced work on material for
the follow-up to their self-titled effort, which came out in 2021. He said
(as transcribed by BLABBERMOUTH.NET): "Actually, 10 days ago, or maybe a week
ago, Kai [Hansen, guitar/vocals] has sent me a demo of a song that he was
[working on] that I was very happy about, because it's not what you would
expect; the song was a bit outside of the box, which I am always grateful
for. I always thought that was exciting about HELLOWEEN. When you check out
the 'Keeper [Of The Seven Keys: Part] I' and 'Keeper [Of The Seven Keys:
Part] II' records, now they're classics, but when they came out, it was very
different to what the 'Walls Of Jericho' record sounded like. But we had the
balls to do it. And I think that's why I'm still here, because those records
had an impact because of being pretty fearless. And it is always the benefit
of the youth; most of the time, the younger people are very fearless.
"What I like about Weiki [guitarist Michael Weikath] andKai, they can't fool
themselves. They just write songs. They don't function in any other way but
just making the song, and whatever it is, that's what it is. And that song
was a bit QUEEN-like. It had a lot of piano parts in it — very operatic,
with big choirs. And then it gets rocking again and stuff like that. It's
another Kai Hansen sort of symphony. But I really liked it. And I'm glad that
he does something like that. I just hope the rest of the band has the balls
to do it. I would do it."
Asked if he will be contributing any musical ideas to HELLOWEEN's next
effort, since he didn't write anything on "Helloween", Kiske said: "I don't
know. I'm not so much of a metal songwriter. I was when I was a teenager. But
these days I just don't write metal songs; I just write songs on acoustic
guitar somehow. And if I have something where I feel like the band could make
a HELLOWEEN song out of it, of course I will present it to them, and then if
they get a kick out of it, something's gonna happen. But we have so many
songwriters in this band now. And they're all really capable of writing that
sort of material that everybody loves, and that's mainly Andi [Deris,
vocals], Sascha [Gerstner, guitar], Weiki and Hansen. And I think that's more
than enough. If I have an idea, I sneak it in. But I don't really push
myself."
As for whether the rest of HELLOWEEN has also begun composing music for the
band's next LP, Kiske said: "I know that Andi has songs, and I know that Kai
has a whole bunch of songs. He was a bit lazy last time; he only had that one
great song, [the 12-minute] 'Skyfall', which was maybe good for three songs,
and that's why it's justified, but I would have wished for even more from
him. And I think this time he will be presenting a whole bunch of songs more.
At least that's my impression, the feeling that I have — there might be more
coming from him this time. Andi is always in the game. Andi has this gift; he
can just sit down and write 10 songs. He can just do it. I don't know how he
does it."
Last August, Kiske told Chile's Radio Futuro that the overwhelmingly positive
response to "Helloween" "was pretty unexpected. I was expected it to do good,
but it was, like, perfect.
"It is very difficult for you, when you're involved in an album, to have an
objective view at what you're doing," he explained. "You just do what you do.
You always try to make the best out of every song. And obviously the spirit
within the band is very good, which helps, but you never know how people hear
it. So the best thing you can do is fade it all out, not think about it, and
just try to make every song exciting for yourself; that's the best thing you
can do. The less you think about success or how critics might see it, the
better for the album. It's not easy, but you've gotta have that discipline to
kind of fade it out and not let it get to you.
"I was surprised how well it was received, but, of course, it was a very
welcome motivation, especially [in 2021]," Kiske added. "We released it right
in the middle of the whole pandemic crap, and that was a positive lift, doing
the interviews and seeing how people reacted to it."
Regarding how HELLOWEEN had managed to pull off the seemingly impossible by
splitting vocals on the album between returning singer Kiske and longtime
frontman Deris, with added contributions from Hansen, Michael said: "It was
actually great. It was very easy. I was kind of expecting it to be difficult,
but it wasn't, because there was no ego fights going on between me and Andi.
We were just there on Tenerife meeting up almost every day.
"Before we started recording, we had Dennis Ward making a rough draft of what
he thinks could work in terms of splitting: 'This sounds like Andi. This
sounds a bit like Michael.' And that was how we approached it. It was some
kind of pre-draft of how we could do it, but was nothing written in stone.
"One day I came to the studio and the evening before Andi was recording
something, or had recorded something, and he wasn't feeling so happy with it.
He came and said, 'I was trying this and that. And maybe you should give it a
try too.' And then we figured out what sounds the best for the song.
"There are a whole bunch of songs where you can hear right away, 'That's an
Andi Deris song. He should sing that.' Or, 'That's a typical Kiske song. That
sounds great [with Kiske vocals].' It's like 'Angels', for instance, it was
very clear that that was mostly a Kiske song, and Sascha [Gerstner, guitar]
had written it with my voice in his head. But there are other songs,
especially when Andi writes his own songs, usually it sounds best when he
does it unless he wrote it with my voice in his head, like he did with 'Fear
Of The Fallen'. 'Fear Of The Fallen', he was writing it with both singers in
his mind, and that works out.
"But it was very easy," Kiske repeated. "Because you just try it out, and you
very quickly hear what works best. And I would say, like, 70 percent of the
time we knew before that that would be sounding better with him or that would
be sounding better with me. Or even with Kai — there were even spots where
we thought he should do it."
Upon its release in June 2021, "Helloween" landed in the Top 10 in more than
10 countries, including Germany, Spain, Finland, Sweden, Switzerland and
Austria. The cover artwork for the LP was painted by artist Eliran Kantor,
who has previously worked with HATEBREED, SOULFLY, TESTAMENT, ICED EARTH and
SODOM, among others.
Produced by Charlie Bauerfeind and Dennis Ward, the latest HELLOWEEN LP was
recorded in part at the H.O.M.E. Studios in Hamburg (where everything started
in 1984). The same recording console used for such HELLOWEEN albums as
"Master Of The Rings", "Time Of The Oath" and "Better Than Raw" was utilized
to record the band's new material. The effort was mixed at the Valhalla
Studios of Ronald Prent (IRON MAIDEN, DEF LEPPARD, RAMMSTEIN).
"Helloween" saw the legendary German power metallers going "back to the
roots," with the band recording fully analog and Daniel Löble playing the
drum kit previously used by HELLOWEEN's original drummer, the late Ingo
Schwichtenberg, on the legendary "Keeper Of The Seven Keys" recordings.
The "Pumpkins United" tour marked the first time Kiske had played live with
HELLOWEEN since 1993. Hansen, who departed HELLOWEEN in 1988, had been
joining the band onstage on various tours and festival appearances throughout
the years. The set featured several duets with Kiske and his replacement,
Deris, along with many rarely played songs, including "Kids Of The Century",
"Rise And Fall" and "Livin' Ain't No Crime". Hansen — who fronted HELLOWEEN
until late 1986 — sang a medley of several early HELLOWEEN classics,
including "Ride The Sky", "Judas", "Starlight" and "Heavy Metal (Is The Law)".
Last year, Deris told the "Metal Command" podcast that he "strongly" hoped
the reunited expanded classic lineup of HELLOWEEN would eventually make
another album to follow up "Helloween". "I mean, as long as the vibe is
great, chemistry is great and everybody's having fun with each other, it
would be a crime not to do so and not to plan for a future together," he said.
"'Pumpkins United' is not only the name for the last tour, I think that's
something like a brand," he continued. "HELLOWEEN 'Pumpkins United', that's
something like a band — a new or something like [that] growing from the old
band."
On the topic of how HELLOWEEN has managed to maintain internal harmony with
so many members involved, Andi said: "I just can tell you getting along with
each other, I think it's rooted in the matter of fact that we're finally too
old for the other shit. [Laughs] From a certain age on, you let other people
live and you don't take everything personal. Talking for [myself], whenever
somebody told me something that could be looked at in a negative way, I took
it the negative way. Even though when you look at it from the positive side
of you, you could say, 'Well, man, maybe it was even a compliment, because
have you seen it from that side?' 'No.' That's what happens when you're
getting older — you don't take everything on the negative side: 'Oh, he's
attacking me' or 'he's meaning bad' or 'he's meaning to annihilate you or
intimidate you' or whatever. Everybody in the band, even together now with
seven people, I have to say everybody is old enough to not always look at it
from the negative [point of view] but also try to realize who's talking. So I
cannot imagine that the boys are meaning bad if they speak about me in a
sense that I could take negatively, but because I like everybody, I
personally think, 'Well, I don't think they're talking negatively.' So I try
to find the sense in a positive way, and most of the time — 99.9 percent [of
the time] — it's exactly that. It's nothing negative; it's positive. But
back in the day, everything I took was negative — when I was in my 20s and
30s. Then when you get [to] 40, it's getting better. [Laughs] Or maybe it's
just you don't give a shit anymore."
HELLOWEEN will return to the U.S. and Canada this spring as part of the
"United Forces" world tour alongside supporting special guests HAMMERFALL.
The trek will commence on May 13 in Dallas, Texas and wind its way through a
total of 13 cities, the journey drawing to a close on June 3 in San
Francisco, California.
現在還在巡迴。
Kai Hansen與Michael Kiske回來後已經發行了現場專輯和錄音室作品。
目前有繼續寫歌,有新素材寫進去,頗期待。
--
I've got to keep breathing.
Because tomorrow, the sun will rise.
Who knows what the tide could bring?
--
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