[報導] 台灣公車男 衝擊制式樂壇
(綜合報道)
(星島日報 報道)台灣 樂壇是個包容性頗大的地方，當中除了偶像派和實力派歌手外，還能容納不同類型的歌手，諸如傷健歌手（鄭智化、蕭煌奇等）、幕後人歌手（周治平、陳小霞等），以及寓興趣於歌唱的警察歌手（陳建年）等；但要數今年人氣最盛的「另類」歌手，實非盧廣仲這位公車男歌手莫屬了。
文：Danny 圖：嘉麗
初看盧廣仲的相片，不禁質疑這位其貌不揚，頂?冬菇頭、黑框大眼鏡，身穿T恤、短褲、波鞋，笑起來憨憨的大男孩，怎麼會成為今年台灣樂壇網絡討論度最高的人氣學生歌手？儘管個人資料已清楚列出他的來龍去脈，然而對於這些宣傳文案的推介也不敢盡信，直至聽到他的首張個人專輯，謎團才得以解開；其創作才華和歌唱實力，以及對音樂的態度，成為焦點，殊非倖致。
自然單純
盧廣仲能夠被製作人鍾成虎相中和羅致，就是基於他對音樂那份單純的投入、源自生活的音樂創作，其充滿正面能量的親和力，正切合目前崇尚自然、舒服的生活潮流。
當然，盧廣仲的成功也非一蹴而就，他也經過上百場現場演出的磨練，以及三張單曲的醞釀期，直至時機成熟才推出首張專輯，也可見製作人對這位新人的信心和期待。
也許目前的樂壇太多制式的製作，所以盧廣仲的出現，反而帶出了一份反璞歸真的味道。綜觀他的表現和發展路向，可說是繼陳綺貞 之後，另一位憑?一把結他、一副好嗓子、一份對歌唱的熱誠，同樣得到歌迷肯定的歌手，讓歌迷得以重回純粹的音樂世界。
音樂功用
鍾成虎直言第一次看見盧廣仲參加歌唱比賽時，便被他那動物性的單純、自然所吸引，所以他認為盧廣仲無論在外形，抑或音樂風格上，只要做回自己就好，毋須刻意改造包裝，因為他深信有些東西是裝不來的，真實的自我才最重要和經得起時間考驗。
在當今唱片業持續不景氣的情況下，歌手要生存愈見考驗，鍾成虎作為一位經驗豐富的製作人，自有一番看法。他認為一位歌手要長?發展，除了要看其現場演唱的實力外，還得端視音樂作品的製作質素。此外，他認為只要歌者唱得快樂，聽者產生共鳴，便已達到音樂的功用。盧廣仲能夠成功踏出第一步，簡單、自然的特質，正是其中一個重要的因素。
以上摘自: 香港星島日報
圖文版: http://crowdlu.blogspot.com/2008/09/blog-post_6098.html
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