灰姑娘首波正式影評出爐

看板Cate作者paulik (The Rotten Age)時間9年前 (2015/02/14 16:42)推噓25(25推 0噓 26→)

留言51則, 13人參與討論串1/1

暌違一年的電影活動正式起跑記者會上百分之80的話題都找上她，逗得記者樂開懷紅毯女神再顯風範，那件難掌握的紀凡希美到不行現在連影評都開得很好...這種好運勢怎麼辦到的喔... 新版灰姑娘的整體評價不錯除了特效假假被小詬病外，大部分都認為這是一個聰明的改編版本在設定上也與時共進，不是強調女性柔弱，需要被救援的角色電影的華麗服裝可以直接領取明年奧斯卡（Sandy Powell今年還做了CAROL的服裝）所有的影評都點出凱特布蘭琪的選角與演出是電影的最大亮點（以下影評關於阿姐的都以原文表示，心想阿姐版大家英文都看得懂呴） The Playlist (B+) it can, and does surprisingly well, by approaching the story with a sincerity and sweetness that defy cynicism, and by casting Cate Blanchett. But as so often with Disney films, this one is owned by its villain. Cate Blanchett, jaw-dropping in an Easter Parade's worth of amazing costumes (that 2016 Oscar should just be wrapped up and mailed to Sandy Powell now), is the ace up the film's fitted satin sleeve. Striking catlike poses and oozing poison when required, she is also given a little humanity, including a surprisingly dorky, vulgar laugh that suggests just how studied and artificial her elegance is. One scene in which she tells her life story like she's the heroine of a "once upon a time" tale, does in two minutes what "Maleficent" couldn't do in two hours: it helps us understand her character's brokenness without declawing her one bit. (這段還鞭了一下裘莉的黑魔女，黑魔女電影兩個小時裡不斷打苦情牌說明主角有多苦，但灰姑娘兩分鐘就搞定) It's so good in fact, that it will no doubt extend this myth's influence even further, so it can inform even more female rescue fantasies, and ensure that a whole new generation of young girls, like so many generations before them, grow up wanting to be princesses. Fingers crossed this time, though, that just a few of them grow up wanting to be Cate Blanchett instead. （救命，這段又大讚阿姐，要少女們以後不要當公主，要當凱特布蘭琪） Hollywood Reporter Looking the very picture of soignée 1940s-style chic in Sandy Powell's extraordinary costumes, Blanchett reinvigorates the textbook villainess both with her delicious cruelty and her gnawing resentment. "Love is never free," she says bitterly as she contemplates her own narrowed choices and exposes her ruthlessness. Blanchett pulls off a superb balancing act, making the stepmother archly amusing with her world-weary imperiousness, but also giving her a tang of desperation and tiny hints of a less refined woman beneath all the manufactured poise. While her mission is to secure her daughters' future along with her own, her barely disguised disdain for those idiotic brats lends additional underlying pathos to her malice. Powell's mixed-period costumes, with their astonishing range and inventive design flourishes, are up there with Ferretti's work creating a visual orgy. Blanchett's drop-dead glamour is at the top of the list, with her daughters' gaudy gift-wrap ball gowns at the deliberately vulgar low end. (Their coordinated ensembles throughout are a hoot.) （凱特再度被讚美在這個角色裡融入細膩的深度，她在表面的惡毒中可以看出是掩飾她的脆弱） Variety Such a lavish approach is not without its drawbacks, as it can inadvertently serve to make the human cast feel almost plain by contrast. Only Cate Blanchett, who plays the imperious Lady Tremaine, fashion-plate stepmother to ash-covered orphan Ella (“Downton Abbey’s” Lily James), seems fit to hold her own against such extravagant costumes and sets — and none of the outfits are more formidable than Blanchett’s elaborate wardrobe of brilliant green gowns, stunningly designed to complement the butterfly-lit star’s ginger locks and ruby-red lips. With eyes wide, brows arched and her mouth in a permanent scowl, Blanchett blends aspects of Bette Davis, Barbara Stanwyck and Marlene Dietrich into an epic villainess, so deliciously unpleasant one almost wishes the film were focused more on her. （好萊塢黃金年代惡女三大神主牌被請出來比較，還表演是融合這三天后） Cine-Vue However, the film's strongest asset is Blanchett's performance as the wicked stepmother. Constantly dressed to the nines, the simple manner in which she turns Cinders into a submissive slave through passive aggression is a joy to behold. Despite Blanchett's resplendent performance and the comforting assurances that are inherent with any excursion into the reliably innocuous Disney universe it's tough to overlook the fact that there's something depressingly antiquated about Branagh's dazzling fairytale and its regressive sexual politics. ScreenDaily But it’s also a delightfully clear-eyed adaptation of Charles Perrault’s fable of goodness triumphing over adversity, which brings psychological depth to characters like Cate Blanchett’s magnificent, believable stepmother, and even provides a little geopolitical context for the story’s fantasy kingdom, without forfeiting the magic - both supernatural and romantic - that has made Cinderella such an enduringly necessary tale for generation after generation. Guardian None is an accusation you could fairly level against Cate Blanchett’s splendid Lady Tremaine. A tart-tongued beauty with a traffic-stopping wardrobe inherited from the personal archives of Edith Head – not to mention an evident knack for hosting a mean poker party – she’s plainly the biggest catch in the entire kingdom. One wonders what he could do with other, gutsier Disney princesses, particularly with the brilliant Blanchett to keep them on their oh-so-dainty toes. (衛報看來直接呼籲大家去獵捕阿姐，誰撈到誰賺到) 電影預期評價大概就是開7分（滿分10）左右 Metacritic大概是60幾分，對於一部這種類型的電影算是非常好的了評價意外沒大倒，大家可以放心吃飯睡覺了 -- ※ 發信站: 批踢踢實業坊(ptt.cc), 來自: 90.245.17.157 ※ 文章網址: https://www.ptt.cc/bbs/Cate/M.1423903368.A.32A.html ※ 編輯: paulik (90.245.17.157), 02/14/2015 16:50:15

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