[情報] 'Boy' A.J. McLean grows up --
'Boy' A.J. McLean grows up -- if his fans will let him
source:
http://tinyurl.com/ywa3ls
The singer ventures beyond the Backstreet with an enthusiastic and promising
launch to his solo career.
By Sarah Tomlinson, Special to The Times
March 26, 2008
"Ladies and gentlemen, this ain't no boy band," the announcer exclaimed as
A.J. McLean of the Backstreet Boys rolled onto the stage Monday at the Roxy.
It certainly wasn't. McLean generated boy-band-worthy shrieks from female
fans but created a rock 'n' roll mood, sporting black nail polish and
eyeliner, and celebrating the night's lack of PG-propriety by cursing and
being sexually provocative. But given a 90-minute set that was all over the
place stylistically, he is still figuring out who he is on his own.
The performance, which showcased material from his solo debut due later this
year, was only his second solo date. His band, which included four members of
the Backstreet Boys' touring band as well as a three-piece horn section and
two backup singers, sounded under-rehearsed. But McLean displayed winning
enthusiasm and a humility remarkable for someone who has sold millions of
albums and charted numerous times with his other group, which is about to
embark on a European tour. He introduced each song by explaining his
inspiration and giving ample credit to his co-songwriters, including sometime
Backstreet Boys producer Kristian Lundin.
The set ranged from the kinetic, horn-laden sound of "Love Me Crazy" to the
electro-rock vibe of "Have It All" and the earnest ballad "I Hate It When
You're Gone." McLean's vocals were strong, but he sounded more like a
performer than a singer expressing his own voice and personality.
If McLean is experiencing growing pains, it's also unclear whether fans will
let him mature. Many on hand were almost more interested in seeing him strip
than sing. They went crazy for any Backstreet Boys mention, including a
moody, rock version of the group's "Incomplete." When he sat to play acoustic
guitar on the blues pop ballad "Life Is Just," fans chatted loudly.
Several pop numbers were good fun, especially when he delivered a
Prince-worthy falsetto during "Gorgeous," which could be summer's guilty pop
pleasure. McLean finally bared real emotion and pushed his vocals during an
intense power ballad, "Sincerely Yours," about his painful relationship with
his absent father. McLean clearly has personality to spare and a devoted fan
base. Now he needs to find his solo music persona or a way to just be himself
in his songs.
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